Swing on in!

By Dean Paton, Community Coordinator

I began swing dancing because of an injury. I had been a lifelong baseball player and throughout my thirties and early forties I played both hardball and softball. In the summer of 1993 I broke a bone in my hand—and, for a professional writer, that was serious. I took it as a sign: that I needed to quit playing baseball and find a new physical activity where I wouldn’t have so many collisions with big, fast-moving jocks.

I decided to take up swing dancing.

Immediately, I fell in love with partner dancing. I’d actually tried partner dancing a few years earlier, but what I had not understood at the time is that there are actually two drastically different worlds of partner dancing—social dancing, and competition-ballroom dancing. Continued below


Looking for a chance to jitterbug, foxtrot or swing? Don’t miss these swing showcases at the 2017 Northwest Folklife Festival!

Hot High School Swing Dance Presented by KNKX

Friday, May 26, 3-6pm, Armory Court

Swingin’ the Great American Songbook

Saturday, May 27, 1-3pm, Fisher Pavilion

Swingin’ Blues or Bluesy Swing?

Saturday, May 27, 6-8pm, Fisher Pavilion

Western Swing and Alt Country Ass-Kicker Wake-Up

Sunday, May 28, 11am – 1pm, Fisher Pavilion

West Coast Swing with Seattle Swing Dance Club

Sunday, May 28, 3-4pm, Armory Loft – Dance Workshops

Swing! Swing! Swing!

Monday, May 29, 3-5pm, Armory Court Stage


That dancing you see on “Dancing With The Stars—this is in the competition-ballroom world. It’s dancing, yes, but mostly it’s choreography, where you practice and practice the same moves over and over. And because choreography is a lot of work there’s a tendency to dance with the same partner over and over.Because I didn’t know two worlds of partner dancing existed—like parallel universes of dance—I thought I just wasn’t cut out for partner dancing, and I was so disappointed by this that I didn’t even finish the series of lessons I’d purchased.

It wasn’t until several years later that a friend told me about a different type of dance lessons in Seattle. I took my first series of swing-dance lessons in January of 2004—and I was hooked. It was like a drug. Not long after that I took one of their waltz classes, and suddenly I was hooked on two drugs. I like waltz so much I ended up founding the Valse Café Orchestra, which has become one of the premiere dance ensembles in the region.

History of Swing

By one definition or another, you could say there are seven or nine kinds of dances that go with swing music. There’s the original swing dance—Lindy Hop—which is the dance that started it all in Harlem’s Savoy Ballroom. A collection of African American dancers had been developing this new dance, blending Charleston with other jazz steps, and one day a reporter asked one of the dancers what this new dance was called. According to legend, this was very soon after Charles Lindbergh has hopped the Atlantic Ocean for the first time, and the dancer, struggling to come up with a name for his dance, blurted out, “It’s the Lindy Hop.” The name stuck.
Jitterbug came along not long after that, in the early 1930s, and without getting too complex, one of the key differences is that Lindy Hop is based on an eight-count footwork pattern, while Jitterbug tends to be centered more around a six-count pattern. Not long after that some of the New York dance studios decided that Lindy Hop was too difficult for many of their white dance students, so they created a dance style they called East Coast Swing. You dance East Coast Swing the the same grand music, but the moves are simplified: not as much rotation, and not always to fast swing.

In fact, “East Coast,” evolved into three variations, depending on the tempos of the music: For slow music—Triple-Time Swing. For mid-tempo swing—Double-Time Swing. And for fast music—Single-Time Swing. The same moves tend to work with all three variations, and this makes East Coast Swing an ideal entry level dance drug. East Coast Swing is where I started dancing.

When Bob Wills and his Texas Playboys, along with other cowboy bands, started playing the Great American Songbook (but with a bit of twang), the result was Western swing. Most of the same moves from regular swing apply, but flashy Western swing dancers mix in what they call “lassos and lariats,” which are flashy arm movements, neck wraps, and sweetheart positions that add a bit of “hick” feel to the dance.

In the late 1940s, in Los Angeles, dance teachers created yet another variation, this one called West Coast Swing. Danced in a slot, where dancers move back and forth trading places as if on a track, West Coast Swing is slinkier than other swing-dance styles, and typically is danced to slower music: blues, some funk, and other more contemporary music.

Another dance—not called swing, but danced to extremely fast swing music—is Balboa, where both partners dance pressed against each other and take the tiniest of rapid steps. Finally, from Eastern Europe, came “bug,” a version of swing based on a four-count footwork pattern.

What’s that—nine different dances you can do to swing tunes?

Wait—I’m forgetting Foxtrot, a traveling dance perfect for swing music. I always mix Foxtrot with my swing. I’ll dance a bit of Single-Time Swing and then shift into Foxtrot and dance my partner around the floor a ways, and then, when the music suggests a change, I’ll switch back into swing. Knowing a bit of Foxtrot gives your swing a great second dimension. I can’t imagine doing one without the other.

The Music behind the Swing

What I look for in a great swing band is the same thing I look for in any good dance band—a solid rhythm section. It might sound funny, because it’s the melody players we always hum along with—the saxophones, the trumpets and clarinets and trombones. But people aren’t dancing to the melody; they’re dancing to the bass player, the rhythm guitarist, the drummer and the piano players’ left hand—they’re what drive the dancers, and those musicians are kind of the unsung heroes of a good dance band. Without a solid rhythm section laying down a serious grove, the music loses its cohesion, and dancing become more challenging, even more tedious.

When I’m choosing bands for dance sets at Folklife, I listen first for a solid rhythm section. If a band has that going for it, it usually guarantees a good time for the dancers. After a solid rhythm section, I look for bands that give dancers spaces in the music to “play,” which I guess means places at the ends of their musical phrases where dancers can do freezes, check steps, pivots or other joyful embellishments. Not all bands know how to build such flexibility into their music.

For my money, one of the best—and most unusual—swing-dance sets at this year’s Festival will be on Saturday night from 6 p.m. till 8, when Breakers Yard and The Dunghill Rooster Strutters, both from Oregon, take the stage in Warren’s Roadhouse. Neither band is what we’d call a classic swing band, but both blend blues with swing and Foxtrott-y melodies with an old-timey feel, and I think the combined effect will be irresistible.

Technically, swing is defined by a set of triplets in the music. Northwest bass player Pete Leinonen passed along the best definition of “swing music” I’ve ever heard. It was a statement the great jazz clarinetist, Wm. O. Smith, reportedly told his students at the University of Washington’s School of Music. Simply put, Smith said, “Swing is when everybody gives,” meaning when the band plays the music selflessly, without one player or another trying to be the star.

“When everybody gives” seems like a perfect definition for not only swing music, but also for the Northwest Folklife Festival.

Dean is a longtime Community Coordinator, coordinating the partner dances at the Northwest Folklife Festival.

Northwest Folklife Mythbusters #6

For 45 years, Northwest Folklife has brought the Northwest Folklife Festival to Seattle Center and celebrated the incredible and diverse arts and cultures of the Pacific Northwest.

  • We have brought the four-day Northwest Folklife Festival to about 250,000 people, a quarter of a million, to celebrate the incredible and diverse arts and cultures of the Pacific Northwest.
  • We present about 5,000 artists, who volunteer their performances on 25 stages. Over 100 communities, representing the rich diversity of our community – artistically, ethnically, and culturally – work all year round to bring these performances to you at this Festival.
  • We have done all of this WITHOUT CHARGING ADMISSION, not even once.  We are committed to not having the economic barrier of a ticket prices, we are committed to making this celebration as accessible as possible to the greatest number of people.

While there is no admission charge, the Northwest Folklife Festival is not free. It takes a full year and a $1.3 million budget to produce the Festival and other programming. This is NOT a city program it is not all paid for in advance. It has only been made possible and can only continue with the support of those who come to experience it. 

What is the value of a day (or two or three or four) of music, dance, storytelling, crafts and food? What does this experience mean to you and to your family? Your children?

This year, we need to raise $700,000 to pay expenses and we need to raise at least half of that – $350,000 – at this Festival. We depend on individual donations at the Festival.

Sadly last year, less than 17% of all attendees made a donation. That is not enough and this lack of support puts Northwest Folklife at risk. Without your support, we cannot continue.

There will be between 200,000 and 250,000 people who attend the festival this year. It is your Festival. This is not up to someone else. It is up to you.  Help keep Northwest Folklife alive.

CAN WE COUNT YOU IN?  

Mythbusters #5

Northwest Folklife Mythbusters #5

 

Since its inception over 45 years ago, Northwest Folklife has been and remains dedicated to the creation of a public forum where the traditional and ethnic communities and the artists of the Pacific Northwest can present their music, dance, performances and crafts.

Folklife works with more than 100 communities and Community Coordinators to bring over 5,000 artists to 25 stages representing the full range of artistic and cultural expression found in this region. Yes, there are hippies and yes there is fiddling and we love them all! And there are hula dancers, spirituals, gospel and sacred music, Indie music and yodeling, Hip Hop, drum circles, powwows, contra dancing and Coastal Salish dancing. And so much more – there is not space here to describe the half of it! The variety and the opportunities for new experiences are so varied and plentiful, you simply cannot see it all.

Folklife is NOT just one style of art or culture. Folklife is ALL folk living – each in their own unique way and yet, each in a way that connects us all together. The steps of our dances may vary – but we ALL dance. The tempo, arrangement, and notes of our songs sound different but we ALL know that deep inner response to the sounds of our own cultures being played on instrument and in voice. Our foods, the spices and ingredients we use, the style in which we cook them, all have unique characteristics that speaks deeply to us of our heritages but we ALL know the joy and deep contentment of gathering as family, neighbors and friends to break bread and be in community.

Northwest Folklife’s roots are deeply embedded in cultural inclusion. Recently, Phil Williams, one of our founders passed on. His widow Vivian shared with us that “Phil figured everybody should have a chance to get to know people from other communities, whether it was quilting or playing bluegrass or Japanese koto. His resistance to fences included a sensitivity to refugees in Seattle who’d had their fill of barbed-wire fences and being closed in. He thought some people wouldn’t be comfortable with that. He was very, very inclusive.” Folklife’s original vision remains as relevant today as it was in 1972.

Folklife is really a way to describe how people are living. The Festival is how we offer and share ourselves with others. It is a time and place where we can learn from one another. It is your Festival – it belongs to everyone. It is as diverse as the Northwest itself. It is the one time that all of us, from our own unique communities come together and create a new community together – a community of music, dance, storytelling, craft and food. It is a brilliant, diverse, welcoming community.

Join us.

Friend of Folklife HQ

CAN WE COUNT YOU IN?

Friend of Folklife HQ

Pictured: Friend of Folklife Headquarters, 45th Northwest Folklife Festival

For 45 years, Northwest Folklife has brought the Northwest Folklife Festival to Seattle Center and celebrated the incredible and diverse arts and cultures of the Pacific Northwest.

About 250,000 people each year come to the Northwest Folklife Festival. Over 5,000 artists perform on 25 stages during the four day Festival. Over 100 communities, representing the rich diversity of our community – artistically, ethnically, and culturally – work all year round to bring these performances to you at this Festival.

You are the Folklife family. You are friends, volunteers, donors, performers, community coordinators, leaders and vendors – the core group that makes Northwest Folklife possible. What is the value to you of a day (or two or three or four) of music, dance, storytelling, crafts and food? What does this experience mean to you and to your family? Your children?

Together, we believe in the two critically important fundamentals, the CAUSE,  that drives Northwest Folklife – that we celebrate, share and participate in ALL of the traditional and evolving arts and cultures of the Pacific Northwest AND that there shall be NO ECONOMIC BARRIER to participation.

While there is no ticket price to get in, Northwest Folklife is not free. It takes a full year and a a cash budget to produce the Festival and other programming. This is NOT a city program – all paid for in advance. It has only been made possible and can only continue with the support of those who come each year to experience it.

For the past ten years, revenue has NOT grown but expenses have. Each year, the organization committed itself to doing whatever it took to make sure that maintaining the programs were the first priority. Increased programming costs have been offset by cuts everywhere else. And those cuts added up as the costs mounted. Over the ten years, Northwest Folklife has cut non-programming costs by over 60% and never had the revenue to restore them. Frankly, there are no more cuts to be made. Indeed, too many cuts have already occurred to support the future operations. We need to change that pattern.

Your financial support is necessary or we won’t be able to continue. This year, to offset expenses, we must generate $1,300,000 in revenue. We will earn about $600,000 and we need to raise $700,000 to pay these expenses.

To do that, we have secured $45,000 from city and county sources. We have set a $350,000 goal to be raised at the Festival from the people who attend.

And, over the year, we need to raise another $300,000 from all of you – our Folklife family – our key supporters. Between now and May 26th – we need to raise $100,000 of that core supporter goal through our spring funding campaign underway right now.

What is at stake?

This Festival is one of the few remaining all access, all community folk celebrations left in America. We cannot take it for granted.

Folklife’s future is up to us. This is a community owned, community co-created event. If we value Folklife and want it to continue, we need to support it.

You understand and value what Northwest Folklife means to you personally, for your families and for our community. You want Folklife to continue.

Last year, less than 17% of the people who attended Folklife programs contributed in support. That is not enough. This lack of support has put Folklife at risk.

We need to expand our committed donor base and we need to increase our donation levels. Every arts and culture organization needs a core group of committed supporters to sustain the programs they create.

We need to do two things between now and May 26th, 2017. We need to meet our spring campaign goal of $100,000 so please, give in accordance to the value that Folklife has for us AND we need to share this message with our networks and build a more robust, expanded support community.

It’s up to us, we are the solution – can we COUNT YOU IN?

If so, please

  • Give online at nwfolklife.kindbase.com. Choose to make a one-time gift or recurring donation.
  • Send your check to Northwest Folklife at 305 Harrison Street, Seattle, WA 98109.
  • Make a gift of stock.
  • Remember to request your employer’s matching gift.
  • And ask others for their support as well!

Discovery Zone: Festal Activities, special guests, and more!

As part of the 2017 Cultural Focus: Festal turns 20, the Discovery Zone will host a wide array of activities from around the world. Activities will feature some of the 23 Festal organizations including paper flower making with Dia de Muertos, wreath making and paper cutting with the Polish Festival, learning Arabic through art with the Arab Festival, Paper Marbling with Turkfest, cultural activities with Diwali Festival of Lights and more. Check back soon for a full schedule of activities.

 

 

Special Guests at the Discovery Zone

We are thrilled to welcome Orion and Lakshmi, two very special cows from the ISKCON Vedic Cultural Center to the Discovery Zone this year. Learn about the importance and significance of cows in the Vedic culture and experience a traditional Vedic village. You may even get to feed them a treat as you learn all about these fascinating creatures!

 

Discover Your Inner Artist

Whether you like to rock-out, draw, or experiment with new materials, the Discovery Zone has what you need to be the true artist that you are. Join Nature Consortium to create a Salmon Eco-Sculpture with recycled materials, create your own glass mosaic with Tim Lowell Artworks, drop in and draw with Gage Academy of Art, and learn to create your own Matisse masterpiece with Seattle Children’s Museum. Don’t forget to stop by and jam with School of Rock (Friday and Saturday only) and take home your very own toy boat creation with Center for Wooden Boats.

 

Don’t miss out on all the fun. Hope to see you there!

 

Allspice Band

A Night of Dancing for Folklife

We are thrilled to thank Northwest Folkdancers (NFDI) for their Night for Folklife this past Saturday. $2,607 was raised! Many thanks to all supporters and donors, and special thanks to Kathy Bruni for her organizing, Allspice Band who spiced things up with international dance favorites. Orkestar RTW played traditional dance and folk music from the countries of Bulgaria, Macedonia, and Serbia. Special Thanks to Sno-King International Folk Dance Club for donating their dance night at the Cedar Valley Grange.

NFDI honored Kathy Bruni for her 30 years of service. The group serenaded her with this song (click on it for a full sized version).

NFDI is the ‘Where to Folk Dance’ organization for the Pacific Northwest. Join in! Here is the schedule: www.nwfolkdancers.org

NFDI Poem

Kathy Bruni


Become a Friend of Folklife

Northwest Folklife Mythbusters #4

Co-creating and co-curating an annual festival with more than 5,000 artists, more than 800 performances on 25 stages with more than 100 community coordinators, while simultaneously managing the logistics of crafts vendors, food merchants, and sponsors AND making sure 250,000 visitors are safe, well served and have a great time is an enormous undertaking. It can really be boiled down to two words – Relationships and Logistics.

Relationships – Northwest Folklife works all year round with more than 100 community coordinators. These amazing volunteers represent the range of artistic genre, cultural influence and demographic origins that make up the Pacific Northwest. Coordinators provide the insight and experience within their coordinating areas to help staff make the most representative and balanced programming choices. It’s a big job and we are so grateful for their partnership.

Logistics galore!!!! Imagine setting up a system that allows anyone and everyone (remember – no barriers) to apply to perform or vend their wares that accurately gathers the information necessary to support their needs such as space, time, equipment, etc. Imagine the logistics involved with then coordinating all of those applications into the broad, cohesive festival that occurs each year. On top of that, there are all the logistics for vendors, security, volunteers, and facilities to support a quarter million guests. The list goes on and on (and on)!

Building and planning this event each year is a labor of love by an enormous group of dedicated staff, volunteers and partners. It is a vast undertaking, full of details and efforts that are invisible to most of us when we walk onto the grounds Memorial Day weekend. But, this labor of love is there when we experience the amazing breadth of the art and culture of the Northwest, become neighbors with strangers and go home with new experiences and perhaps, a little bit changed. For you – the magic happens in four days.  But it takes a year to make it happen!

Your Gift Ensures the Northwest Folklife Festival’s Lifeline

The 46th annual Northwest Folklife Festival is a community treasure that your gifts have created. The excitement and the pace of work continues to mount as we prepare to host over 100 cultural communities, 5,000 artists on 25 stages, the crafts booths, food vendors, and opportunities to participate such as over 90 hours of participatory dance, hands on activities for kids in the Discovery Zone, and jamming with musicians. It is going to be a blast.

Today, we are asking for your help to continue the tradition of artistic and cultural inclusion accessible to everyone. Please take a moment to give, renew and even increase your support as a Friend of Folklife donor.

Your support of Northwest Folklife is actually a gift to the entire community. Here, we share in our rich arts and cultural traditions: dance communities flourish at Warren’s Roadhouse, we witness Native American cultural practices and a powwow, and folks young and old mingle over music.

Northwest Folklife’s roots are deeply embedded in cultural inclusion. Recently, Phil Williams, one of our founders passed on. His widow Vivian shared with us that “Phil figured everybody should have a chance to get to know people from other communities, whether it was quilting or playing bluegrass or Japanese koto. His resistance to fences included a sensitivity to refugees in Seattle who’d had their fill of barbed-wire fences and being closed in. He thought some people wouldn’t be comfortable with that. He was very, very inclusive.” Your gift continues this vision which remains as relevant today as it was in 1972.

As you know, it takes resources to make this happen. Costs rise for everything and Northwest Folklife is not immune to that. We pledge to you that we will be effective and efficient stewards of your support! And there is a sober note to share. The Northwest Folklife Festival is one of the few remaining all-access arts and culture festivals in the country.  While other Festivals have folded, or adopted an admission charge to offset rising costs, we remain committed to the founding principle established 46 years ago, that this annual celebration shall be open to everyone in our community. The Festival belongs to everyone in our community – not just those who can afford a ticket.

Your generosity helps weave this community fabric of cultural inclusion. Only your continued support and support from others will ensure the lifeline of this community treasure.

Please consider a meaningful gift and make your donation today.

Your Support Creates Opportunities

Northwest Folklife Mythbusters #3

We sing, dance, play music, tell stories, teach our children, remember our ancestors, and share our meals all year long. Folk live life every day and Northwest Folklife creates opportunities for all of us all year long to celebrate, share, to be included and participate in the arts and culture of the Pacific Northwest.

Northwest Folklife has programming all year long – the Seattle Children’s Festival in October, the Cultural Arts Series and Folklife Presents. We work all year to support many of the 23 regional community organizations who compose the Seattle Center Festal Cultural Festivals. We work all year with over 100 Folklife Community Coordinators representing the unique needs of each community, their artists and culture bearers, and their audiences. And all year long, we celebrate with different communities with Nights for Folklife events.  And of course, the annual Memorial Day Festival.

Join us, join each other – every day.

Edible City Family Day with Festál this Saturday

Uncover the rich cultural diversity of food in the Pacific Northwest with Museum of History and Industry (MOHAI) and Seattle Center Festál at Edible City Family Day with Festál, 10 a.m.–5 p.m., this Saturday February 18 at MOHAI. This all-ages event is presented in collaboration with cultural partners from across the Puget Sound region.

The packed day includes many elements for which the Festál series is known for, including a dance workshop series in collaboration with Northwest Folklife. Here is the full schedule:

  • Festál Turns 20 documentary, 10 a.m.–1:30 p.m. and 2:45 p.m.–5 p.m.
  • Ragdoll making with Marita Dingus and other hands-on activities, 10 a.m.–5 p.m.
  • Spirit of Africa presents African Dance with Gansango, 11:30 a.m.–12:30 p.m.
  • Ethnic beverage making demonstrations and Pierogi making and eating with Seattle Polish Festival, 12:15 p.m.–1:15 p.m. and Festál cookbook drink highlights with chef Kristi Brown, 3:15 p.m.–4:15 p.m.
  • Panel discussion on, Food and Culture, the food connection 1:45 p.m.–2:45 p.m.
  • Festival of Lights presents Bollywood Dance with Katrina Ji 1:00 – 1:45 p.m.
  • Pagdiriwang presents Filipinas Performing Arts of Washington State, 3 p.m.–3:45 p.m.

Edible City Family Day with Festál augments the 20th anniversary of Seattle Center Festál, a series of 24 ethnic cultural festivals held on weekends throughout the year at Seattle Center. In 2017, Festál celebrates 20 years of global music, dance, art, crafts, history, food and insight made possible through a unique partnership among community organizations and Seattle Center culminating together for the Northwest Folklife Festival on Memorial Day Weekend. Festál seeks to connect people in ways that build understanding, dispel stereotypes and generate pride among the generations as they experience the distinct cultures that shape the character and course of our broader community. Edible City Family Day is free for MOHAI members and included in museum admission for others.

This is Folklife Spotlight: Kristi Brown

Also known as ‘Chef Goddess’, Chef Kristi Brown-Wokoma has been serving up soulful deliciousness since 1986. Her brand focuses on the art and experience of food through Culinary Activism, or the cultivation of fresh food and cooking as a means to bring people together and help heal communities through the love and medicine of food.

With 23 years of cooking experience under her belt, the Chef Goddess has worked her way up from working front and back of house to creating a Seattle town favorite, That Brown Girl Catering, which has been transformed into That Brown Girl Cooks! She is currently involved with creating the Seattle Center Festál cookbook and you can see her demonstrating her skills at Festál Family Day “Edible Seattle” at MOHAI on Feb 18th! Let’s find out more about Kristi!

What role do you see Festál playing in the greater community? 

Festál is an birds eye experience of what Seattle has long been. A distinct celebration of several cultures throughout the entire year, not on a designated federal holiday.  Festál has taken the initiative to give us an opportunity to learn, celebrate and actively take part in cultures that we may be a part of or are curious about.  That helps us see the connections more so than the differences.

Why do you think Festál has endured for so long?

I believe Festál has lasted so long because at the core spirit of Seattle, there is a deep desire to honor the people of the land and the dedication to continue to create even more community.

How does food and cooking nurture the passing down of cultural traditions? And of cultural, ethnic identity?

Next to sex, I believe food is the most powerful medium to bring people together.  So families, even when they are not talking to one another, will share a meal.  We speak out our joys and grievances over food.  We seek solace and comfort in the warm kitchen. And these meals tell the stories,  the tales of who we are, where we came from and it all amalgamates in the pot. And those stories are passed on from one generation to another. It truly is magical.

Please share a memory connected to creating the Festal cookbook that was meaningful to you?  

There are so many….

I think it’s more of a behind the scene thing.  We truly had no idea what we were getting into.  Meaning the intricacies of each cultures food, the techniques, the respect for authenticity….it guided everything we did.  But my crew???  They were phenomenal!!! While we were making the Irish Cake, one of the volunteers, Trenita Harris, who is an amazing pastry chef, saw that I was clueless when it came to part of the decorating of the cake.  It was pretty extensive, and we were working on a tight tight deadline.  She actually took the cake home, after working her regular graveyard shift and a full shift helping cook/bake for the cookbook and totally decorated the cake in marzipan…it was amazing!!!  The dedication that everyone bought to the table….was unparalleled!  I’m so grateful for the entire crew….WE DID IT!!!

What would you like to see for the future of Northwest Folklife?

I would like to see it listed a pre-requisite for every newcomer to Seattle, because if you don’t take part in this celebration, you will never truly understand the spirit in our land.  And if you don’t understand us, you will disrespect what we’ve built.

Please finish this sentence: ‘folklife is…

Folklife is like soup.  I’ll go even further and say…It’s like Pho. The rich broth brings together each individual ingredient. But not even one of the ingredients are lost, they all stand out, to make the most prolific soup possible!!!

The Discovery Zone is Hitting the Road for Wintergrass!

Northwest Folklife is taking the excitement and fun of the Discovery Zone to the Wintergrass Festival on Saturday February 25. Wintergrass, a family friendly celebration of Bluegrass music, is a four day long festival held at the Hyatt in Bellevue beginning Friday, February 23. We’re thrilled to be partnering with them this year to present hands on activities for the whole family in the Cottonwood Room from 10am-noon on Saturday February 25th . Here’s a glimpse at what you can expect:

Make a HUGE Crankie

Help local artist and musician Dejah Leger to bring this traditional storytelling method to life! Crankies are a way to tell stories through music and art. A long scroll of paper is wound through two spools and inserted into a box with an open viewing screen. Then when you move the paper through the spools the moving images come to life as the story unfolds. Do your part to create a community crankie with Dejah and learn about the history of crankies in the process.

Fiber Arts and Weaving

Learn the tools and techniques of fiber art with Local artists Jill Green and Ann Suter. Using all natural materials, you can weave together your own bracelet to take home. See what kind of colors and patterns you can come up with!

 

Create your own Masterpiece

Doodle, draw, and sketch with the Northwest Folklife coloring station. Use the coloring pages provided, or let your imagination run wild and create something new!

For more information about Wintergrass Festival including ticket information and full lineup visit their website.

Hope to see you there!