Draze Maraire and friends, NW Folklife Festival


Northwest Folklife invites musicians, dancers, community groups, artists, storytellers, and instructors to participate in the 45th annual Northwest Folklife Festival, which will take place May 27-30, 2016, at Seattle Center.

If you or your group is based in the Northwest region, including Alaska, British Columbia, Washington, Oregon, Idaho, and Western Montana, this is a great opportunity to share your music and traditions!

The annual Northwest Folklife Festival is the largest community-powered arts festival in the United States. It is presented each year in Seattle by Northwest Folklife, a year-round nonprofit organization dedicated to creating opportunities for all people to appreciate, share, and participate in the evolving traditions of the Pacific Northwest.

Folklife 2014 - SaturdayLast year Northwest Folklife programmed over 5,000 performers in 65 different genres of music, from Hawaiian to hip-hop. We presented dance performances representing cultures from Ireland to India. We believe everyone is a bearer of folk arts, and we encourage communities to share their cultural traditions, in the hope that interaction with new audiences will enrich the community as much as the audience.

Click these links to be redirected to our online applications:






If you need a paper version of our performer application, please email us at programming at nwfolklife.org.

Interested in how we select bands and performance groups? Click here to read our Programming FAQ.

Still have questions? Email our programming team now.



Who Is Sunshine Music Together?


Sunshine Music Together provides the greater Seattle community with music classes for babies and toddlers, introducing them to the wonder and beauty of musical sounds at a very early age. What lucky babies, we say!

Get to know Sunshine Music Together a little more in the below Q&A! They will be sharing their songs and good times with us at the 2nd Annual Seattle Children’s Festival again this year, from 10:45 a.m. – 11:30 a.m. in the Loft 4 venue. Parents, Caregivers, and little ones welcome and encouraged!

What will audiences experience from you at the Seattle Children’s Festival?

Community family music making! We will be encouraging caregivers with their children to participate enthusiastically in our program of songs, movement and chant activities.  We’ll be encouraging caregivers to be wonderful music making role models for their children – children learn a love of music and the disposition to be life long music makers by watching the adults in their lives model music making with enjoyment and enthusiasm! And because very young children instinctively respond to and imitate their loved ones, the active participation of parents and caregivers – regardless of their musical ability – is an essential part of the rich musical environment we create. Music Together parents discover what a powerful role model they are for their child, just by having fun with the music themselves! We will be helping grown ups to relax, find their inner silliness and enjoy making music right along with their kids.

Is there a specific age recommendation? Should parents and kids come?

Music Together is a parent/child based music development program for children aged birth to five years old and the adults in their lives who love them!

Were you at last year’s Seattle Children’s Festival? If so, what was the experience like for you?

Yes!  We absolutely loved the idea of an event that introduced parents and children to the joy of music making and the arts!  We’re huge advocates of music development during a child’s primary years and wanted to share and contribute any way we could for the benefit of our community!  We loved being a part of Seattle’s Children Festival from the beginning!

What is your connection to Northwest Folklife?

Initially we learned of Northwest Folklife through one of our fabulous teachers, Lara Clark, who was on the board of Northwest Folklife. She initially was the one who brought us all to it.  We have done events to benefit Northwest Folklife in the past and will again in the future.

What kinds of music/arts/performance/entertainment do you typically seek out around Seattle or the Pacific Northwest? Any recommendations?

Everything!  We love the theatre, ballet, symphony, concerts – Seattle and the Greater Puget Sound area is rich with the arts!  Seattle Children’s Theatre, 5th Ave, STG (Seattle Theatre Group), the Paramount.  Concerts at Chateau Ste Michelle, Marymoor – Take advantage of it all!

What does Folklife mean to you?

A communal and universal celebration of the arts in Seattle!  A huge sampling of various cultures in the arts coming together in one place!

What’s next for you after Seattle Children’s Festival?

We will continue with our mission to spread the joy and benefits of family music making to our communities!  We’ll be celebrating our 10th year of doing just this in 2016!


Learn more and connect with Sunshine Music Together here and join their conversation on Facebook.


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Podorythmie at the Seattle Children’s Festival

Podo crankie croppedThe crankies are coming! If you relish shadow puppets, homemade folk art, step-dancing, story-telling with an occasional fiddle and accordion playing, then Podorythmie’s crankie workshop is the place for you!

We are ecstatic to welcome this Folklife veteran group to our 2nd annual Seattle Children’s Festival. Podorythmie is always delighted to participate at Folklife. This incredible group has been creating smiles and laughter for five years now, and while four of those years were spent on the Northwest Folklife Festival stages, we are eager to include them for first time at the this year’s Children’s Festival! 

Step-DancingThis dazzling group celebrates Quebecois music and dance in a unique way for everyone to enjoy, so you don’t want to miss out on this workshop! Podorythmie consist of five talented members who all play in important role to create magic within every performance. What will make their workshop at Children’s Festival amazing is that it will include not one, but four crankies! Half movie, half homemade folk art, crankies are illustrations on cloth reels presented in a frame and hand-cranked scrolling slowly, while telling of a story, playing music and step-dancing. Now imagine that times four!

Don’t miss Podorythmie’s crankie workshop in the Armory Lofts at our 2nd annual Seattle Children’s Festival, and come introduce yourself to their new friend, “Accordion Man Automaton!”

Grace Love and The True Loves

Q&A with Grace Love of Grace Love and the True Loves

Northwest Folklife feels honored to have Grace Love and the True Loves perform at the 2015 Northwest Folklife Festival. She is blowing up this year, performing at not only Folklife, but Timber! Outdoor Music Festival, and Bumbershoot!

We recently had the chance to have a little chat with Grace Love herself about herself, her sound, and the True Loves.

NWFL:  Are you originally from Seattle? If so, which neighborhood?

GL: I am not- I was born in Memphis, TN and raised in the lovely city of Tacoma, WA. 

NWFL: How did the True Loves come to be, and where did the name come from?

GL: I was doing a solo project for a while and the guitarist, bassist, and drummer has a jam going and invited me to sit in. I obligied, and the rest is the story unfolding in front of everyone. I’m not sure where the name True Loves came from I think it was a play on my name and getting as vintage as we could. 

NWFL: How long have you been interested in/singing and performing soul music? Does it predate the formation of the band?

GL: I have been in the arts all of my life- I didn’t pursue it until I was about 19, my mother passes and I thought life is too short to do the things you don’t want to do. I never thought I could have a full backing band, when it began to form I just let it flow.

NWFL: How would you describe your sound to people who have never listened to you before?

GL: I say original Seattle Soul most people nod as if they get it. Then I just say come out and listen to the band.

NWFL: Why did you choose to release your singles, and eventually your album, on vinyl?

GL: Because it holds true to originality- we aren’t like other groups and also the sound is by far the best and it’s a bucket list for a lot of us in the group. 

NWFL: How does it feel to be playing Northwest Folklife Festival, Timber, and Bumbershoot all in the same year, before your album is even out?

GL: I personally feel blessed, and humbled, to those who know me, know I have been working hard at it for a very long time. It’s going to be an amazing story to tell in years to come. 

NWFL: What can we expect to see during your performance at Folklife?

GL: Soul drenched and pure heart warming emotions and lost of laughing and dancing. 

8.     If you could perform alongside anyone, living or dead, who would you choose?

GL: As hard as that question is probably Ray Charles- he’s my go to when I need a change in my spirit!

She will be performing Saturday May, 23 at Northwest Folklife Festival, from 7:45 p.m.-8:15 p.m. at the Xfinity Mural Amphitheatre. You can check out her other upcoming tour dates on her Facebook page, or website at www.graceloveandthetrueloves.com.

Reggae Rising

Reggae Rising: Hip-Hop’s Roots in Reggae Music

Reggae RisingReggae has been at the forefront in the development of music for many years now. From Electronic Dance Music to Pop to Punk to Disco and several other music genres today, you can hear the influence of Reggae coming from their core. One genre of music in particular that is directly influenced from Reggae is Hip-Hop. Those familiar with Hip-Hop’s history know that the culture was started in the late 70’s in the Bronx, NYC. The founding fathers of the culture are Afrika Bambatta, Grandmaster Flash and DJ Kool Herc. DJ Kool Herc being a native of Kingston, Jamaica always credits his Jamaican roots for his early techniques and development of the culture.

Reggae music’s traditions of dubbing out tracks and toasting on the microphone are a direct lead in to hip-hop’s sampling & emceeing (now known as rapping). In Jamaica, dubbing out a track was the same as making a instrumental remix of a original song. It would usually be the B-side of a Jamaican 7″ single with the original song being the A-side. It involves stripping away most of the instrumentation of the song, vocals and melody highlighting the heavy drums and bass line. This would allow for a artist to “toast” or chat live on top the beat in the same way a Hip-Hop emcee can freestyle over the instrumental of their favorite track. And well known Jamaican Dub architect Lee Scratch Perry created the idea of putting sound effects such as babies crying, gunshots, breaking glass, etc. into his dubs and tracks thus inventing sampling. So as you see, elements of Hip-Hop can be traced back to techniques that came from Jamaican studios years earlier.

Originally, early DJs in Jamaica would get on the microphone just to promote albums or hype up tracks. Foundation Dancehall artist Daddy U-Roy was one of the first artists to actually toast phrases that fit in with the words of the song in addition to his call and response style and exclamations of “Wow” & Yeah”. This style is where rapping draws its roots from. Back in the Bronx, a emcee by the name of Coke La Rock worked alongside DJ Kool Herc hyping up crowds in the style reminicant of the Jamaican Sound System toasting style. He didn’t do full on lyrical flows like rappers today, but he would hype up the crowd with party motivating slogans like “To tha beat y’all!” or “Rock on My Mellow!”. Many old school listeners refer to him as the first Hip Hop emcee.

From the late 70’s and into 80’s, the toasting style in Jamaica progressed and more toasters (also known as Dee-Jays) such as Ranking Joe, Charlie Chaplin, Yellowman and Eek A Mouse appeared on the scene with a more lyrical rhyming style. They would record songs on top of sparse riddims (instrumental tracks) made from various producers like Junjo Lawes, Linval Thompson, Gussie Clarke & Jah Thomas thus creating the Dancehall style. During this time, Dee-Jay records became more important than the Roots Reggae sound which had dominated Jamaica for the majority of the 70’s. Another popular trend in this time was the soundclash. Soundclashes featured rival Dee-Jays and Soundsystems who would compete head to head in front of live crowds to showcase who had the biggest & toughest sound. This trend also directly influenced Hip-Hop in the US as Breakdancers & Emcees from different crews would have Challenge competitions to display who had the best skills on the mic or on the floor with their breakdance moves. This allowed the youth to focus their skills on something other than the every day violence that came with living in the inner cities. Both African Americans and Jamaicans alike could relate to the social and economic hardships they faced daily.

The late 80’s and throughout the 90’s were important years in regards to Reggae and Hip-Hop crossing paths in the United States. There were several Hip Hop artists coming out during this time such as: Boogie Down Productions, Poor Righteous Teachers, Just-Ice, Heavy-D & Jamalski who were spicing up their beats & rhymes with the Reggae flavor. This was also the time that many Jamaican Dancehall acts such as Shabba Ranks, Super Cat, Cutty Ranks, Buju Banton & Mad Cobra were getting record deals on American labels and starting to collaborate with US Hip Hop artists. This era also birthed the very popular Reggae/Hip Hop remix trend. That was when a producer would take the acapella (lyrics) of a popular Reggae Dancehall song and place them on top of a popular Hip Hop or R&B instrumental. Nowadays this style is referred to as a “mashup”.

Although the Reggae/Hip-Hop crossover style was more dominant on the east coast in NYC, the west coast has had it’s share of artists who have been experimenting with that flavor for many years. One artist in particular is MISTA CHATMAN (formerly know as DJ Collage). Chatman has spent several years visiting and performing on both coasts taking in the flavor. In fact, he is currently working on a mixtape titled “Chat Down Memory Lane” in which he will be performing Reggae Dancehall lyrics over popular old skool Hip Hop and R&B beats revisiting the remix vibe that was popular in the 90’s.

You can check out MISTA CHATMAN live and direct on this years Reggae Rising stage along with Seattle based Organic Hip Hop Reggae crew INDIGITIZE, Eugene based Hip Hop/Soul/Reggae outfit THE ELENA LEONA PROJECT, Seattle based 80’s style Reggae band DIGITAL LION with guest Jamaican born MC SELASSIE I SOLDIER on the mic and Seattle’s top foundation Reggae artist CLINTON FEARON & THE BOOGIE BROWN BAND returning to nice up the lawn. Time to get irie..BO! BO! BO!

Blog post submit by Lawrence Chatman.

Folklife 2014 - Friday

Speak Out!

When communications theory philosopher Marshall Mcluhan wrote “the medium is the message,” he could very well have been referring to hip-hop.  MCing/rapping, DJing/scratching, break dancing and graffiti writing are more than just an art or a performance style.

6NtheMorning COVERDr. Daudi Abe, professor of Humanities at Seattle Central College and author of 6’N the Morning: West Coat Hip-Hop Music 1987 -1992 & the Transformation of Mainstream Culture (Over the Edge Books, 2013) calls hip-hop “a living cultural movement.”

“American rapper, singer, and actor Ice-T said rap is something you do – hip-hop is something you live,” he notes. “In the 80s, if you listened to underlying messages, hip-hop was a portent, a warning, for what was going to happen next. Similar to a news broadcast, it was a lot more political than the general public realized.”

During the 70s and 80s, Seattle was known for its rock ‘n’ roll. Natives like Jimi Hendrix and Nancy and Ann Wilson (Heart) were giving global attention to the “Emerald City.”  But alongside rock ‘n’ roll, hip-hop was emerging here, sparked by New York City’s hip-hop culture.

“From the beginning, hip-hop was very much about challenging the status quo – this was especially true of graffiti art,” says Dr. Abe. “During the late 60s and early 70s, hip-hop was a response to repression. Young people felt disconnected and marginalized from mainstream culture.  It was the first medium to give fearless, explicit voice to young, black males. It was used as a way to push back, tell who you were, where you were from and to make your mark.”

Over the past 40 years, Hip Hop culture has seen dramatic changes since its early start on independent record labels. Edgy experimentation has given way to conglomerate blueprints. Within mainstream acceptance, it has evolved. Critics worry the “essence of hip-hop” and its “news broadcast” may have been compromised in the process.

But amidst this change, Macklemore’s multiple Grammy wins suggest hip-hop is becoming part of a larger narrative and a platform on which anyone can make a culturally relevant political stand. And as in its beginnings, it’s still a potent lens through which the artist views the world.

“Jazz, Reggae, Blues, Hip-Hop – these are all necessary to a vital society because they spring from creative energy within oppressed populations,” Dr. Abe observes. “Life experience informs ones’ views. We have a long way to go. But getting together and talking about these divergent views is the kind of dialogue which will help get us past our differences.  I’m honored to be a resource for Northwest Folklife and to assist in making this year’s cultural focus successful. ”


Folklife at Kirkland Summerfest on Sunday, August 11

The Bucharest Drinking Team at the Northwest Folklife Festival. Photo by Piper Hanson.

Northwest Folklife is thrilled to announce we’ve been invited to program a full day of free music and dance at Kirkland Summerfest! The lineup features groups from your favorite Folklife communities, including Cajun/Zydeco, Indian, Hip Hop, Latino, Old Time, and Balkan, on stage on Sunday, August 11.

Folklife Stage Schedule:

11:00 – 11:50 AM: Cultural Focus Representation: Indian Dance Performance with surprise guests!
Each year, the Northwest Folklife Festival has a Cultural Focus, or theme, which allows us to program a “festival within a festival” with expanded opportunities to get to know a community of the Northwest. For 2014, the Cultural Focus is India! Get a head start on familiarizing yourself with the art and dances of Southeast Asia with this great opening showcase.

12:10 – 1:00 PM: Br’er Rabbit
Br’er Rabbit is an indie roots band based in Bellingham, WA. Combining each member’s unique influences ranging from Leadbelly to The Lumineers, blending three distinct vocal styles, and adding copious amounts of foot-stomping, they demonstrate a sound and presence that’s at once original and familiar, appealing to audiences of all generations and genres.

1:20 – 2:10 PM: Los Flacos
Los Flacos performs a blend of the spiciest traditional sounds of Mexico, South America, and the Caribbean. Using a variety of instruments, some indigenous to the Americas and others of European and African origin, they create their own renditions of the songs of Latin America.

2:30 – 3:20 PM: Hip Hop demonstration with 206 Zulu
206Zulu is a Seattle-based group that empowers local communities through creativity and the arts. Their work to organize the Northwest hip hop community has inspired a generation  to get involved in social action, civic service, cultural creativity, and self-education. This showcase lineup features Sista Hailstorm, DJ Zeta Barber and Suntonio Bandanaz.

3:40 – 4:30 PM: Bucharest Drinking Team
Borrowing stylistically from great Balkan brass bands like Fanfare Ciocarlia and Boban Markovic, the Bucharest Drinking Team mixes in a liberal shot of Romanian folk music and a penchant for 80s disco from behind the Iron Curtain to bring you a high-proof Eastern Bloc Party, complete with dancing and music!

4:50 – 6:00 PM: Cajun/Zydeco Dance with  MaryLee Lykes + Zydeco Rex
MaryLee Lykes began teaching dance in Seattle17 years ago….and hasn’t stopped since! She teaches extensively on a local, national, and international level.
Zydeco is a musical genre evolved in southwest Louisiana by French Creole speakers which blends Cajun music, blues and rhythm and blues. Zydeco Rex is one of the region’s newest zydeco bands keeping the tradition going strong!


About Kirkland Summerfest

Kirkland’s largest festival of music, art, food, and culture – a weekend festival transforming downtown Kirkland and Marina Park into a lively arts destination with Music (featuring more than 50 performances), Dancing, Street Performances, Family Entertainment, Amazing Art, and an incredible selection of food.

Kirkland Summerfest at a glance: Friday, August 9

  • Summerfest kicks off 2013 bigger than ever with an opening night special theatrical presentation of The Tempest in the ever-popular Shakespeare in the Park at 7pm at Marina Park. Admission is free.

Saturday, August 10

  • Live music, artists in action, food trucks, robotics demonstrations, TechZone, Moss Bay Cardboard Boat Regatta, bouncy toys, Touch-A-Truck, Young Artists Exhibition, beer and wine gardens. Festival opens at 11am. Admission is free.

Sunday, August 11

  • Live music, Northwest Folklife performers, Artists in Action, Rotary Duck Dash, Bot Battles, TechZone, bouncy toys, Touch-A-Truck, Young Artists Exhibition, beer and wine gardens. Festival opens at 11am. Admission is free.

Kirkland Summerfest is a Seafair Sanctioned Community Event and is presented by the Kirkland Events Foundation. More information at www.kirklandsummerfest.com  


Festival Hours

Friday, August 9 – 4pm – 10 pm featuring Shakespeare in the Park (7 pm)

Saturday, August 10 – 11am – 11pm

Sunday, August 11 – 11am-6pm

Bucharest Drinking Team. Credit: Diane Smithers

What to See at Folklife #463: The Balkan Misfits Party

(Big thanks to Marchette Dubois for this guest post! You can see our full lineup of bands at the Festival website, www.nwfolklife.org/festival.) 

Bucharest Drinking Team. Credit: Diane Smithers

At 2009’s Folklife Festival, in a jam-packed VERA Project, hundreds of sweaty, ebullient people linked hands and line-danced at the first Balkan Misfits Showcase.   Though it was called the Balkan Bridge in those days, it was showcasing the same community.  Five years on, our misfit contingent is doing well and we have held out our hands to new friends and met many new and lovely people.   My name is Marchette and I am the volunteer coordinator for the Balkan Misfits showcase – I am also the Artistic Director of one of the misfit bands – The Bucharest Drinking Team.

This year’s Showcase will highlight four amazing and genre-stretching bands: Olympia’s Erev Rav will open the show with their fantastic fusion of traditional Klezmer and funk  – Daniel Landin, the leader and manager of the band described their music as “World Klezmer Fusion.” And goes on to explain:   “We take gorgeous Eastern European Jewish folk songs, and lay them atop funk rhythms. …Or we might have a traditional bulgar rhythm with a tune, but then we add a bebop solo on clarinet. And our arrangements are influenced by Led Zeppelin.”   Check out their brand new video:  The Funk Tash”.

The second band will be your host band, Seattle’s Bucharest Drinking Team – Our music rises form the wells and stills of the Romanian taraf, Balkan Brass bands, Europop, and a variety of other Balkan and Eastern European party music.  We also put our own spin on everything we do.  Hear for yourself our reggae take on the classic tune Opa Cupa.

Erev Rav. Credit: New Spin Media

If that’s not enough brass, stick around for Seattle’s favorite Balkan-inspired Brass party:  Orkestar Zirkonium, whose sensibility for creating music is securely planted in the world of FUN.  Their representative Kevin Hinshaw describes their process this way: “…Balkan Brass [is] our core, for sure.  But if somebody in the band loves a Latin tune or a Bollywood soundtrack, that’s fair game too as long as we like playing it.” He continues: “Sometimes we do straight transcriptions.  But some arrangers get inspired and will try to be more creative.  (Like Whitney squishing Ederlezi from 4/4 into 7/8, or Jerry’s raucous-down-to-tiny rendition of Zaspo Janko.)”. I hope we get to hear some of these inspired arrangements!  You can also look forward to seeing OZ opening for Romania’s Fanfare Ciocarlia July 24 at the Triple Door!!!  Get tickets here.

Closing out this year’s show is Portland’s Russian powerhouseChervona Their bandleader André Temkin describes their music: “…you can find elements of gypsy punk, klezmer, balkan brass, slavic polka and more. There are many bands in Europe playing similar music, but what makes Chervona different from all the bands in this genre? I think the biggest difference is our unique personality and artistic approach in creating and playing music…”  He talks about their high energy and audience participation, and I think you will not be disappointed with how they will keep your feet moving.


We Invite you all to the party on the Fountain Lawn Stage Saturday night.  Where we will bring you Balkan and Eastern European inspired music interpreted with our own 21st century voices.

Love these bands? Support them by buying their music!

Erev Rav:  http://erevravmusic.com/store-2/

Bucharest Drinking Team:  http://music.bucharestdrinkingteam.com/album/bucharest-drinking-team

Orkestar Zirkonium: http://www.cdbaby.com/cd/zirkonium/

Chervona: http://www.reverbnation.com/tunepak/2457609

Orkestar Zirkonium

The Joy Mills Band

What to See at Folklife #429: The Emerald City Songwriters Circles

The Joy Mills Band

(Thanks Wes Weddell for this guest post! See the full schedule of workshops and participatory jams at www.nwfolklife.org/festival.)

For the fifth consecutive year now, Folklife will offer the opportunity for anyone at the Festival to share an original song with listeners and fellow songwriters in the Emerald City Songwriter Circles.  The circles have become a celebration of originality, creativity, and the regional songwriting scene.

The guidelines are simple:

-Anyone is welcome to join the circle and share an original song when it is his/her turn.  Listeners welcome too!

-Choose a song of 5 minutes or less to share.

-Please listen actively and avoid playing along unless you are specifically asked by the song-sharer.

Come by the Shaw Room Saturday or Sunday (5:00-7:00pm) to contribute a song or join in the listening.  Hosts Wes Weddell, Nancy K. Dillon, Tai Shan, Steve Wacker, Carolyn Cruso, and Mark Iler, and Joy Mills will be on-hand to offer gentle guidance if necessary.  Hope to see you there!


Image courtesy Wes Weddell

Emerald City Songwriter Circles

Saturday & Sunday, May 25 & 26


Shaw Room (Acoustic Stage)

Seattle singer/songwriter Wes Weddell has released five CDs over the past decade, his latest a collection of demos from his involvement with The Bushwick Book Club Seattle (with whom he will also be performing at the festival).  He founded and runs Puget’s Sound Productions, a 501(c)(3) non-profit dedicated to creating community live-music spaces.

Cami Lundeen

What to See at Folklife #309: The First-Ever Vashon Island Showcase

Cami Lundeen

Northwest Folklife is thrilled to present, for the first time, a Festival showcase dedicated to sharing the talented musicians of Vashon Island. “Voices of Vashon Island,” coordinated in partnership with Pete Welch, takes place Sunday, May 26 from 1:00-3:30pm on the Alki Court Stage, and features artists Gregg Curry, Cami Lundeen, Kiki Means, and Allison Shirk.

“Vashon Island is just a short 15 minute ferry ride from Seattle–a very short distance, but a million miles away in terms of the hustle and bustle of the city,” says Welch. “It’s home to hundreds of amazing musicians that entertain our community on a regular basis.  There are several music venues on the Island and they are always filled with musicians playing every genre of music imaginable.  The kind folks at Folklife have given us a wonderful opportunity to bring a few of our musicians to this year’s event.  We’re hoping that the music of Vashon will be well received so that we can build on this opportunity and bring even more music in the years to come.”

The 42nd annual Northwest Folklife Festival takes place this May 24-27 in Seattle Center. The full schedule with information about the 800 different acts participating can be found at www.nwfolklife.org/festival.

About the Vashon Artists:

Gregg Curry’s songs dig deep into the roots of American music, blending folk, country, rock, soul, blues, bluegrass and gospel to create his original sound. Website: http://www.greggcurry.com

Cami Lundeen’s sultry vocal, evocative style, and introspective lyrics are shared through catchy, memorable melodies. Her stage presence is real with a raw, relatable quality. Website: http://www.camilundeen.com

Kiki Means has been singing her whole life, and has been performing for many years. Her repertoire includes covers of all types of music and original songs.

Allison Shirk has a distinctive voice with a slightly southern accent. She plays guitar and bass and her songs take life experience and weave stories to which people can connect. Website: http://www.vashonevents.com


Join Us for the 2013 Northwest Folklife Festival

You are invited to the greatest show of talent in the Northwest! Be part of the 42nd Northwest Folklife Festival this May 24-27 in Seattle Center. Enjoy and participate in your traditions! And experience other cultures by listening to their music, trying out their dances, and hearing their stories. And it’s all FREE.

The 42nd Festival features a special focus on stories and personal histories from the workplace, in a multimedia program called Washington Works. Come hear the folklore of the labor movement, and stories of how jobs have changed over the years, through movies, storytelling, and historical presentations.

Here’s a few other highlights to look forward to:
-A Latin Dance Party with live dance bands!
-A new showcase focusing on traditional dance and music of Asia
-The return of the hugely popular Bollywood Showcase!
-Crowd-favorites Balkan Misfits Party and Monday night Reggae show
-The Tractor Tavern’s Urban Square Dance for beginners and expert dancers
-Indie Roots music across all our stages

We can’t guarantee the weather, but we can guarantee a great time with fantastic entertainment, food, family activities, shopping, beer gardens, and more.

This year we are pleased to feature artwork by Drew Christie and web design by Shaun Swick.

Look for the full schedule on our website, www.nwfolklife.org/festival.
RSVP on Facebook here>

Hawaiian showcase, photo by Ben Shaevitz

28 Great Things to See at Folklife This Year

Don’t be overwhelmed! Here’s just a few of the many great things in this year’s schedule. Leave a comment and tell us what you’re looking forward to! See the full schedule at www.nwfolklife.org/festival. 



Hawaiian showcase, photo by Ben Shaevitz

Groove Train: *New!* Kick off the first night of the festival dancing under the stars with Luc and the Lovingtons, Unite One, Wet City Rockers, Gravity Kings and the Jefferson Rose Band. These groups are sure to move your body and soul.
Friday, May 24 from 7:00-10:00pm at the Xfinity Mural Amphitheater.

Fin Records Showcase: *New!* Folklife is thrilled to have Ballard’s Fin Records on board to host Indie Roots artists this year. The lineup of exciting local roots acts includes The Lures, Davidson Hart Kingsberry, Low Hums and Red Jacket Mine. Sponsored by BECU.
Friday, May 24th from 6:00-9:00pm on the Fountain Lawn Stage

Friday Night Gospel Celebration: Be thankful for this great local gospel music, featuring Pastor Pat Wright and the Total Experience Gospel Choir and the Mt. Calvary COGIC Praise Team.
Friday, May 24th from 7:00-9:00pm in the Bagley Wright Theatre.

Bollywood Show: We are bringing back one of the most popular shows of the 2012 Festival! Get ready to feel the rhythms of India. Sponsored by NW Asian Weekly.
Friday, May 24th from 7:00-8:30pm at the International Dance Stage at the Ex Hall.

Cajun Roadhouse: Experience a little bit of the South in the great Northwest! The evening kicks off with Louisiana Dance Lessons, so there’s no excuse not to get out on the floor.
Friday, May 24th from 8:00-10:00pm in Warren’s Roadhouse.

High School Swing Dance: This impressive lineup of young musicians includes the award-winning Garfield High School Jazz Band and the Eckstein Middle School Sr. Jazz Band.
Friday, May 24th from 3:45-6:00pm on the Armory Stage.




Hey, Hendrix—Jimi Hendrix Tribute: Local musicians pay homage to one of the Northwest’s favorite sons. Jimi Hendrix took the blues to a place it had never been before, but the roots of that music were always an important element. This showcase honors the music of Hendrix as well as the important musicians that came before him. Presented in partnership with the EMP, whose “I Hear My Train A-Coming” exhibit is currently on display. Sponsored by the Washington Blues Society.
Saturday, May 25 from 1:00-4:00PM in the EMP Sky Church.

The Soul of Seattle: Eldridge Gravy and the Court Supreme (recently seen rocking Bumbershoot stages), join Soul Senate, Kissing Potion, The Braxmatics and Little Big Band for this popular dance party that both closes out and brings to a climax Saturday’s programming.
Saturday, May 25 from 7:00-10:00pm at the Xfinity Mural Amphitheatre.

Balkan Misfits Show: Sometimes it’s the old favorites that keep ‘em coming back! If you’ve never checked out this beloved showcase, make this the year. Experience the bad boys of Balkan brass, including Erev Rav, Bucharest Drinking Team, Orkestar Zirkonium and Chervona.
Saturday, May 25 from 6:00-9:00pm on the Fountain Lawn Stage.

English Country Dance: Downton Abbey comes to Folklife! Channel your favorite Jane Austin character…no corsets required!
Saturday, May 25 from 1:00-2:00pm in Warren’s Roadhouse.

Team Up for Non-Profits Showcase: *New!* We are delighted to welcome aboard Team Up for their first year as co-presenters of Indie Roots artists. In partnership with Artist Home (producers of the Doe Bay fest) and with sponsorship by BECU, Team Up has curated a showcase of the best up-and-coming indie bands of the Northwest. Don’t know them yet? You will. Featuring Shelby Earl, Song Sparrow Research, Bradford Loomis and St. Paul de Vence.
Saturday, May 25 from 1:00-4:00pm on the Fountain Lawn Stage.

Bushwick Book Club Seattle Presents Original Music Inspired by the Wizard of Oz: If you haven’t experienced the latest trend in musical folk art, check out this showcase to enjoy the pages of L. Frank Baum’s novel brought to life with glorious original music. But don’t expect Judy Garland impersonations—we said original music!
Saturday, May 25 from 1:30-3:00pm in the Folklife Café.

World Dance Party: This popular community event has taken place all over Seattle, and it is a natural addition to Folklife—after all, the World Dance Party embodies all of what makes Folklife great: people of all ages, young and old, from all ethnicities, coming together to dance and feel good! Be a part of the movement.
Saturday, May 25 from 1:00-3:00pm in the Armory.

The Arab Show: This tour of the Middle East with eclectic music and dance. Groups Fathia and Les Troubadour play French Arabic music, and House of Tarab revive the vintage classics of Egypt, Lebanon and Syria. Duo Maurice Rouman plays the oud with Waseem Sbait on darbuka. And experience the traditional Arab dabke folk dance, presented here with Lebanese and Palestinian variations.
Saturday, May 25 from 3:00-6:00 at the International Dance Stage in the Ex Hall.

Sleeping in Seattle: A Bed Making Contest: This year’s Festival “theme” is all about work! Think you know bed making? Let the housekeeping union show you how it’s done. See the full schedule of Washington Works talks, demonstrations, storytelling, art exhibits, film screenings and more at our website, nwfolklife.org/festival.
Saturday, May 25 at 2:00pm in the Olympic Room.




206Zulu Jam featuring Junior Breakdance Competition and Hip-Hop Showcase: See youth from local b-boy/b-girl classes showcase their dancing in a one-on-one competition. Featuring danceable music for everyone by DJ Cues & DJ Zeta Barber, with special guest performance by artist Fleeta Partee. All b-boys & b-girls are invited to come support the next generation of dancers & participate in open circles!
Sunday, May 26 from 3:00-6:00pm at The VERA Project.

Gaelic Crankie Show: Artist and musician Su Truman revives and reinterprets a beloved Appalachian tradition. Half movie, half handmade folk art, crankies are animated drawings and papercuts on cloth “reels,” hand-cranked for movement, and presented with traditional Gaelic music accompaniment. Sounds amazing, right?
Sunday, May 26 from 3:00-4:00pm, Center House Theatre.

You Can’t Fake Fresh—Northwest Live-Band Hip Hop: *New!* The name says it all! Featuring Global Heat, The Sharp Five, Eastern Sunz and Irukandji Physics of Fusion.
Sunday, May 26 from 7:00-10:00pm in the EMP Sky Church.

Giddy Up! Country Roots: *New!* Bring your spurs and whiskey to the Indie Roots Giddy Up showcase featuring the best of local country: Country Lips, Ganges River Band, Annie Ford Band and Ole Tinder. Yee-haw! Sponsored by BECU.
Sunday, May 26 from 6:30-9:00pm on the Fountain Lawn Stage.

Country Swing Dance: I dare you to not join in after feeling the energy of this swingin’ cowboy soiree, back by popular demand after a long hiatus from the Folklife roster of dances.
Sunday, May 26 from 1:00-3:00pm in Warren’s Roadhouse.

Rockabilly Round-Up: We’re bringing back the rockabilly and vintage country styles of the 50s to sweeten your Sunday afternoon. Join The Roy Kay Trio, The Black Crabs and The Honky Tonk Sweethearts for the Rockabilly Round-Up. Don’t forget your bowling shirt and dancin’ creepers!
Sunday, May 26 from 1:00–3:00pm on the Fountain Lawn Stage.

Puget Sound Rosies: Riveting History: This year’s Festival “theme” is all about work! Join us for a fascinating panel discussion with some of the women who went to work in Washington shipyards during WWII. See the full schedule of Washington Works talks, demonstrations, storytelling, art exhibits, film screenings and more at our website, nwfolklife.org/festival.
Sunday, May 26 at 2:00pm in the Olympic Room.

Vamos!: A Latin Dance Party *New!* Save some energy on Sunday to join the rhythms of The Cumbieros, Cambalache, and SuperSones. That’s not enough? Parade in with VamoLá! Brazilian Drum & Dance Ensemble!

Sunday, May 26 from 6:45-10:00pm at the Xfinity Mural Amphitheater.




Memorial Day Flag Ceremony: Celebrating Memorial Day, the Flag Raising Ceremony will include words from Northwest Folklife, the West Seattle Cub Scout Pack 828, and music from the Northwest Scottish Fiddlers.
Monday, May 27 at 11:00am at the Xfinity Mural Amphitheatre.

American Standard Time Showcase: Some of the best names in roots music (and a little bit of gospel!) will hit the stage during this Indie Roots showcase, brought to you by BECU, and hosted by KEXP’s Roadhouse radio presenter Greg Vandy. The lineup includes The Sojourners, The Sumner Brothers, Crow Quill Night Owls and The Slide Brothers. Sponsored by alt-country authority No Depression.
Monday, May 27 from 3:30-6:10pm on the KBCS Fisher Green Stage.

Kindiependent: Get ready to rock your onesie socks off! This wildly popular show is supposedly for youngsters, but don’t be surprised to see some in-the-know hipsters there too. Featuring the musical stylings of Harmonica Pocket, The Not-Its!, Recess Monkey, Johnny Bregar and the Country Dawgs, and (new this year!) Cat Doorman. Sponsored by ParentMap.
Monday, May 27 from 11:00am-2:30pm on the Fountain Lawn Stage.

IWW Little Red Songbook: Enflaming the Fans of Discontent: This year’s Festival “theme” is all about work! Help us wind up the weekend with a soul-stirring sing-a-long from the Industrial Workers of the World’s Little Red Songbook. See the full schedule of Washington Works talks, demonstrations, storytelling, art exhibits, film screenings and more at our website, nwfolklife.org/festival.
Monday, May 27 from 5:00-6:00pm at the Narrative Stage at SIFF Cinema.

Ver(A)rt Gallery Closing Reception: Toast the young artists who contributed to this weekend’s gallery show “When Your Work Speaks for Itself, Don’t Interrupt: Perspectives on Working.”
Monday, May 27 from 6:00-8:00pm at the Ver(A)rt Gallery.