Your Communities. Your Traditions. Your Folklife.
Northwest Folklife aims to strengthen our communities through arts and culture. This calendar brings together our greater community’s events and gatherings. Here, you will find events ranging from cultural celebrations to music and dance performances and traditional gatherings.
Together, we can continue to celebrate the rich arts, cultures, and traditions that thrive in the greater Pacific Northwest.
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April Verch Band in Concert
February 8, 2015 @ 7:00 pm - 9:30 pm$8 – $18
Advance tickets: http://aprilverchseattle.brownpapertickets.com Tickets, if available at the door, will be $2 more.
April Verch has never sounded more comfortable than she does now, in the second decade of her career as an internationally touring Canadian fiddler, step dancer and singer-songwriter. Her ninth album, Bright Like Gold, captures a woman who’s fleshed out her identity and is in full command of her gifts, a woman who’s grown from a prodigy into an enduring artist–one of music’s most unforgiving public transitions–with grace and grit to spare. The April Verch Band–rounded out by bassist and clawhammer banjo player Cody Walters and guitarist Hayes Griffin, who has a Masters in jazz improv from the New England Conservatory– is an energetic, virtuosic, tradition-celebrating outfit, not to mention one that’s not soon forgotten when they depart the stage. It doesn’t hurt that the thrilling grand finale involves Verch fiddling and step dancing–and often executing two entirely different intricate rhythmic patterns–at once. Something else that’s downright impressive is the range of material Verch, Walters and Griffin inhabit on the new album. She’s so fluent in folk traditions–the Canadian ones she was born into and the American ones she later found her way to–that old fiddle tunes like those featured in the Canadian medley “Dusty Miller,” “Fiddle Fingers” and “Grizzly Bear” and the Appalachian medley “Edward in the Treetop,” “Yellow Jacket” and “Quit That Tickling Me” sound positively reinvigorated. Originals like her instrumental waltz “Morris & Boris” and country courting number “The Only One” are clearly made to last.